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"Gotch quits mat with clean record"
December 31, 1911
"Boys, I am done. This is positively my final
appearance on the mat."
These few words, addressed to the newspaper men at
the ringside in Kansas City Wednesday night, after
Frank Gotch had scored an easy victory over Alec
Munro, the British wrestling champion, was the final
message to the sporting world of Frank Gotch, the
world's premier mat artist. Turning to Jim Asbel, his
trainer, Gotch threw him the bath robe which he had
worn in every match since his memorable encounter
with George Hackenschmidt on April 3, 1908, and said:
"Keep this to remember me by."
Ordinarily the "farewell appearance" of those who are
monopolizing the spotlight must be taken with a bit of
doubt, but there are few men who are gifted with the
perspicacity and strength of character and a lot of
other things like that to ooze gently and voluntarily out
of the limelight before they are either thrown out or
knocked out. But those who know Frank Gotch
personally take what he says seriously. It is a habit
one gets from hanging around in the immediate
vicinity of the Iowa farmer.
Everybody who is accustomed to glance over sporting
pages knows Frank Gotch, champion wrestler. But in
Humboldt, Iowa, Gotch, the athlete, comes second to
Frank Gotch, stock raiser, banker, president of a street
railway company and also an electric light company. It
is the latter person of whom the entire population of
Humboldt waxes eloquent. While on the mat Gotch has
been gaining undying fame through his ability to grasp
an opponent by the toes and twist his gambrel joint
into his hip pocket, but it is Gotch, the man, who has
been whacking a far more enduring dent into the
hearts of those with whom he has come into personal
contact through his impressive personality.
Not in the athletic world today is there a man with a
stronger personality than Frank Gotch. The pity of it is
that the wrestling game, fallen on evil days through
sharp practices and shady tactics of its opponents,
has not known more men of the Gotch type.
It is his moral courage and strength of character that
have enabled Frank Gotch to keep his name clear of
stain while engaged in a profession that has come to
be looked upon with something more than suspicion.
Never during his long career on the mat has there
been any hint of a frame-up in any contest with which
Gotch has been connected. And never has he been
anything except the gentleman and the fair sportsman,
whether he is trying to pin an opponent's shoulders to
the mat or attempting to push through a new deal in
real estate. Frank Gotch is the one bright spot on the
darkened horizon of the wrestling game, and he is one
champion who has helped to keep the profession of
which he is the ablest exponent from slipping entirely
down to disgrace.
Wrestling was the sport of the ancient Greeks, the
perfect race. It was the test of skill and strength that
brought the highest honors of ancient Greece to the
victor, and poets, orators, and the brains of the classic
age vied with one another for the signal honor of
wearing the laurel wreath of the champion wrestler. It
remained for the modern promoter and the prest-day
exponents of the mat game to drag down the sport of
the classics and trail it in the mire of disgrace through
their frame-ups. So when one is found who has waded
safely through what has been staged in this money-
grabbing era and still kept his skirts clean, in the
parlance of the day, "You have to hand it to him."
Never in his career as a wrestler striving for high
honors, or later as a champion, has Gotch attained
any undesirable notoriety, and after every big match
the first strain back to old Humboldt always numbered
Gotch among its passengers. He has always avoided
the white lights, the spotlight, and publicity, refrained
from using liquor or tobacco in any form, and he
leaves the mat with the enviable distinction of having
lived the cleanest life of any man who has attained
such high rank in the athletic world in recent times.
Down in Humboldt Frank Gotch is one of the solid
citizens of the community. He owns two properties in
Humboldt, his own home, purchased after his marriage
to a Humboldt girl last January, being the handsomest
residence in the town, besides a large stock farm
south of Humboldt, where he raises thoroughbred
stock. He has money invested in Dakota and Canada
lands, and following a successful match in Seattle he
invested the proceeds from that match in city lots in
Seattle, for which he has since been offered a sum
equal to four times the original purchase price. He is a
director in a bank, president of a street railway
company and an electric light company, while his
latest business venture is the automobile business, a
large garage now being under construction for him in
Humboldt. While Gotch won't talk of his money matters
himself and his Humboldt banker never tells, it is
estimated down there among the "folks" that Gotch is
worth in the neighborhood of a half million dollars.
In spite of Referee Smith's statement following Gotch's
defeat of Hackenschmidt in Chicago last Labor Day, to
the effect that nobody would appear within the next
ten years who could throw Gotch, Gotch himself says
that he can feel himself slipping, and he has decided
to retire from the game before he is defeated. Gotch is
now 33 years of age, has taken the best of care of his
physical condition, but while he still retains his former
strength, he says himself that he can notice a falling
off in his former desire to force the action in a match,
and that where he would formerly force an opponent
he is now content to wait for the other man to come to
him. He says he noticed this particularly in the last
match in which he defended his title, the one with
Hackenschmidt in Chicago on Labor Day. He further
adds that he has all the glory that is coming to him,
and that the public will never see him as one of the
actors in a scene such as was pulled off in Reno on
the Fourth of July, 1910, wherein he again shows his
good sense and sound judgment.
Gotch was born at Humboldt, Iowa, where he has
always made his home, on April 27, 1878, of German
parents. He weighs 210 pounds and stands 5 feet 11
1-2 inches. On April 2, 1899, he engaged in his first
professional match with Marshall Green at Humboldt
and he won the match. Previous to this time he had
shown great form as an amateur wrestler in and about
his home town. His victory over Green caused his
fame to spread, and on June 16 of the same year he
wrestled Dan McLeod, then a widely known mat artist,
at Luverne, Iowa. Gotch lost this match, and he also
lost on Dec. 16 of the same year to Farmer Burns at
Fort Dodge, Iowa. Burns was recognized as one of the
best wrestlers of that time. Burns was so attracted by
Gotch's work that he took Frank to Klondike in 1901
after the Iowa farmer had won five matches in 1900. In
the Klondike region Gotch won all his matches,
winning victories over the four best men of that
section. On his return Gotch won five more victories in
a row, one being over Carl Pons, the much-touted
German wrestler. Gotch was then matched with Tom Jenkins, the U.S. champion, and in the contest, which
came off at Cleveland on Feb. 22, 1903, Gotch was
defeated.
After a number of successive wins, two being over
Farmer Burns, Gotch got a return match with Jenkins
in the following year and won the title. His professional
career since that time is too well known to call for
repetition. Since his first professional match in 1899,
Gotch's record shows a string of 140 matches. Of
these he won 132 and the defeats were most in
handicap matches. In addition to these victories Gotch
defeated more than 200 men in exhibition handicap
matches and toured England, where he defeated all
comers.
Gotch's greatest performance was at Chicago on June
1, 1910, when he pinned Zbyszko's shoulders to the
mat in 6 1-4 seconds. His wonderful endurance was
shown in his first match with Hackenschmidt, when the
German gave up after two hours and three minutes.
(ED. NOTE from J Michael Kenyon : Although Frank Gotch periodically either
wrestled, or, more often, talked about wrestling, for the
next four or five years, this essentially was the end of
his era. A number of pretenders came to the fore,
Chas. Cutler among them, but the logical successors
were Joe Stecher and Ed Lewis. Here, then, was the
birth of Wrestling As We Liked It. Ultimately, Lewis had
more crowd appeal, perhaps a shade more ability --
although that is highly debatable -- and certainly better
health, so he became king of the mat world over the
next 20 or so years. And not until the halcyon days of
Lou Thesz, from the end of the World War II until the
mid-'60s, did anyone else attain such a lofty position in
the minds of mat fans. Fifty or more years: not a bad
run when you get right down and think about it . . . )
Article provided by J Michael Kenyon of WRESTLING AS WE LIKED IT.
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